The final product for Mollywood is creating its own narrative rather than being a variety of selected still photographs from different films related to Memphis. It is half-documentary and half-narrative (using the tableau vivant, mise en scéne and still photography language) incorporating a deeper intentionality of politics--i.e. "who owns the photograph?"--and metafiction--exposing a fictional world while attempting to show relationships and effects between the film world and reality.

I expect it will be a two year project given the current state of filmmaking in Tennessee in general, which is the reason I find to do this project, to pose these questions and statements through photography and the process used to create these narratives.

Fucking Art - Piranha Empire - dir. Sarah Fleming